San Francisco Artists on the Horizon

The exhibition, San Francisco Artists on the Horizon, curated by Micaela van Zwoll from Micaela Contemporary Projects, opens at the Résidence de France on Wednesday, 24 April, 2019 with a cocktail reception from 6 to 8 pm.

Featuring the work of JP Long, Silvia Poloto, and William C. Rolf, San Francisco Artists on the Horizon is an exciting collaboration of artists who use innovative materials and ideas to address classical notions of visual beauty.

JP Long. C2H2 26 (2016). Carbon and Canvas. 48 x 62 x 2 in.

JP Long. C2H2 26 (2016). Carbon and Canvas. 48 x 62 x 2 in.

JP Long is a young father (his first son was born on March 3, 2019), sculptor and artist whose Oakland based art practice transitioned from jewelry/metal arts studies at California College of the Arts to large outdoor sculptures. For this exhibition, he presents us with expressive paintings derived from his use of flame and metal deposits on canvas.

Long's career launched in the mid-2000s with a series of large glass-and-steel sculptures to which he added planes of color, and developed a series of canvasses featuring oxidation and carbon patterns. Native aesthetics and a modernist and geometric approach to sculpture invite notions of serendipity and structure. When considering the artist’s practice of control in relation to his work with glass and sculpture, the unpredictable oxidation and carbon patterns in this canvas series is a beautiful two dimensional addition to his practice.

Silvia Poloto. Wabi-Sabi 49, 2018. Mixed media. 80 x 80 in.

Silvia Poloto. Wabi-Sabi 49, 2018. Mixed media. 80 x 80 in.

Silvia Poloto, originally from Brazil, is a dynamic and charismatic artist in San Francisco. Working on a large and visually rich scale, her work is abstract and mesmerizing, invoking the natural cycles of her personal life.

She states, “the context for this work to emerge and speak began when I was architecting and designing my home after a period of great change and tragedy.”

“The relationship between my-self and the structure was felt, was lived, as if I were inside one of my paintings - from the outside in, from the inside out, me and the empty space, me and the objects, how the objects were placed and in return placed me, the relationship among each other and the negative space around it.”

“I became an active part of the space as much as a passive one, as I experienced myself having total control over it while having no control at all, as if experiencing all as potentiality, and ultimately creativity as creation and co-creation.”

“The result was a breathing space for the eye and mind, surrounded by the sea and the sky, with inner and outer vistas merging and emerging. Being became becoming, in lived experience, in open space, and attachments became vapor.”

“What I sought with my living space, and continues with my artwork, is a kind of essential refined simplicity reduced to the extreme, understated and unassuming yet with active presence, dynamic possibility and quiet authority. A breathing space for essence to emerge.”

William C. Rolf. Enroute to a meeting. Archival photograph. Framed.

William C. Rolf. Enroute to a meeting. Archival photograph. Framed.

There is no question about William C. Rolf’s avocation as a true Francophile! Rolf's life-long affection for European life styles of the 17th, 18th, and 19th centuries gift the viewer with a sense of elegance and gentility through his photographs. While recent images are an exploration of trend-setting architectural statements, Rolf also developed photographic essays of notable architectural elements found in the monumental structures of Versailles, the Centre George Pompidou, and the geometric gardens of the Chateau de Sceaux.

Rolf’s photographic sensibility is refined, warm, and humorous, as seen in his images of the Deyrolle collection, where he juxtaposed surprising elements within the beautiful interiors of a revered natural science institution.

When designing this exhibition, the curator took into consideration the use of the Résidence de France as a site of public and private meetings directed by the Consul General of France. Given the exceptional views of San Francisco from the reception rooms, the curatorial mission became a question of how to marry the work of local artists with ideas that might surface during the course of developing relationships in these rooms. In response, we invited the artists, JP Long, Silvia Poloto, and William C. Rolf, to work with us. Their work is at once abstract in concept and execution, yet representational, of the multi-cultural demographic of San Francisco.

What is the Night of Ideas?

Night of Ideas is coming to San Francisco!

A Night of Philosophy and Ideas, the all-night festival of philosophical debate, performances, screenings, readings, and music co-presented by the Cultural Services of the French Embassy and Brooklyn Public Library, took place from January 27, 2018 at 7pm to January 28, 2018 at 7am. Livestream of A Night of Philosophy and Ideas: https://livestream.com/frenchembassy/...

Night of Ideas! Snapshots!

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The Night of Ideas in the Press!

 
 

Talk About Night of Ideas…

 
 
 

FACS Presents the Night of Ideas in San Francisco!

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Facing Our Time: The City of the Future

FACS is very proud to be the partner of the first edition of the Night of Ideas in San Francisco ! Organized together with the French Consulate in San Francisco, the San Francisco Public Library and the SFMOMA, we will present a seven-hour marathon of debate, performances, readings and music featuring top thinkers from San Francisco and beyond as we envision the city of the future.

https://www.nightofideassf.com/

Press Release

Janet Bishop receives Insignia of Chevaliers des Arts et des Lettres

Janet Bishop, Emanuelle Lebrun-Damiens (Consul General of France), Florence Buatois (President, Board of Directors, FACS)

Janet Bishop, Emanuelle Lebrun-Damiens (Consul General of France), Florence Buatois (President, Board of Directors, FACS)

Janet Bishop, SFMOMA curator for painting and sculpture and first FACS Curatorial Travel Grant recipient received the insignia of Chevaliers des Arts et des Lettres, the highest distinction awarded by the French Minister of Culture and Communication.

Janet Bishop, SFMOMA curator for painting and sculpture, and first FACS Curatorial Travel Grant recipient, was honored with the insignia of Chevaliers des Arts et des Lettres, the highest distinction awarded by the French Minister of Culture and Communication.

Ms. Bishop is the SFMOMA’s Thomas Weisel Family Curator of Painting and Sculpture. Janet Bishop is curator of painting and sculpture at the San Francisco Museum of Modern Art (SFMOMA). In this capacity, Bishop's primary responsibilities include the acquisition, research, presentation, and interpretation of objects in the permanent collection of the Painting and Sculpture Department and the organization of special exhibitions.

Ms. Bishop was one of the lead curators for The Steins Collect: Matisse, Picasso, and the Parisian Avant-Garde — an award-winning and critically acclaimed historical exhibition that premiered at SFMOMA and traveled to the Grand Palais, Paris, and The Metropolitan Museum of Art, New York (2011-12). Other exhibition projects of special note include 75 Years of Looking Forward: The Anniversary Show (2010-11), a major reinstallation of SFMOMA's collection assembling some 400 works in all media; Robert Bechtle: A Retrospective (2005-6), the first comprehensive exhibition of the California realist's paintings and drawings; and 010101: Art in Technological Times (2001), which brought together the work of 20 international contemporary artists on the occasion of the millennium, as well as the Matisse/Diebenkorn exhibition (co-organized with the Baltimore Museum of Art), and the first David Park exhibition to examine the full scope of the artist's output. She also managed the SFMOMA's off-site exhibition programming during its expansion construction period from the summer of 2013 through early 2016.

Ms. Bishop joined SFMOMA as a curatorial assistant in 1988, was promoted to Andrew W. Mellon Assistant Curator of Painting and Sculpture in 1992, and was named Andrew W. Mellon Foundation Associate Curator of Painting and Sculpture in 1997. She was promoted to her current position in 2000. Prior to joining SFMOMA, Bishop worked at the Avery Architectural and Fine Arts Library at Columbia University (1987-88) and at the Herbert F. Johnson Museum of Art at Cornell University (1984-85). She received her BA in art history and psychology from Cornell University in 1985 and her MA in art history from Columbia University in 1988.

Ryoji Ikeda: Premiere in San Francisco

January 9 - 21, 2018

WARNING : A very small percentage of people may experience a seizure when exposed to certain visual images, including flashing lights or patterns. If you or any of your relatives have a history of seizures or epilepsy, consult a doctor before watching. Footage from Ryoji Ikeda's mind-blowing video installation at the Park Avenue Armory.

Paris based Ryoji Ikeda will be starting San Francisco's Artistic year with the presentation of a diptych project at Gray Area and Minnesota Street Project. The project is presented by Ars Citizen who also curated last year's Sophie Calle's exhibition in San Francisco. Ryoji Ikeda (b. 1966 in Gifu, Japan) is one of the most renowned artists working at the intersection of art and sciences. Over the last twenty years, he has developed a body of work that includes large-scale audiovisual performances and installations, presented either in night clubs or in art institutions like museums.

‘supercodex [live set]’, audio-visual concert, Gray Area, January 9, 7pm Ars Citizen partnered with Gray Area to present the San Francisco premiere of ‘supercodex [live set]’, Ikeda’s celebrated most recent audio-visual concert. supercodex [live set] takes its title from Ikeda’s eponymous 2013 album, the final instalment in his pioneering ‘datamatics’ trilogy focusing on quantum information. ‘supercodex [live set]’ is described as the result of a complex research exploring the potential to perceive the invisible multi–substance of data that permeates our world, and more importantly, the nuances existing between “data of sound” and “sound of data”. Using raw data and physical laws to generate music and digital imagery projections, the stage show becomes an immersive experience expanding through mesmerizing layers of beats and pulsations to include all the audience. Tickets: $40 – $50 (on sale here)

‘A [4ch version]’, site-specific exhibition, Ars Citizen temporary space, Minnesota Street Project Gallery 200 (2nd fl.), January 9–21 The sound-installation A with its site-related versions may be perceived as Ikeda’s most radical work. It returns to his roots as a composer while charting new territories in sound creation and definition. The title A stands for the concert pitch also called “La”. “A” lies at the origin of music. It is the origin of all sonic creations, and by extension, of the cosmos and of elements. Before “A=440Hz” was defined as the standard concert pitch, there were many different historical standards that still vary depending on orchestras or countries. Specifically adapted to Gallery 200 of Minnesota Street Project, A [4ch version] will transform the space into a sensitive environment filled with invisible patterns of complex sound fabrics formed through the historical concert pitch A. It will lead the visitors into a physical and mental space where they can, in the artist’s words, “walk through and move around the invisible sound ocean of the history of standardizing of music.”

Call for application for writer's residency: "A Room With A View" Now - February 4th

Now - February 4th

After welcoming Martin Winckler and Dominique Fabre in 2017, FACS, in partnership with the Cultural Services of the French Embassy, the Consulate General of France in San Francisco, and the Institut Français are continuing their writer’s residency program to help bring french writers to San Francisco. During their stay, our guest will be invited to spend 5 weeks at the Consul's residency and to partake in activities led by the Cultural Services of the French Embassy in the US (seminars, public readings and gatherings, writing workshops).

To learn more and apply, please visit the call for application page.

The call for application for the spring 2018 season is open now until February 4th. A second call for applications for the autumn season (end of October till mid-November 2018) will be published in March 2018.

Special Event at the Napa Valley Fim Festival: "Back to Burgundy"

November 8 - 12, 2017

The Napa Valley Film Festival (NVFF) lights up the valley during the most colorful time of year. NVFF features over 120 new independent films, studio sneak previews, and filmmaker Q&A’s in gorgeous winery venues and theaters across the valley. A special event co-organized with the French American Cultural Society will present the screening of "Back to Burgundy", by Cédric Klapisch.

37th San Francisco Jewish Film Festival

July 20, 2017 - August 6, 2017

The San Francisco Jewish Film Festival (SFJFF), presented by the Jewish Film Institute, is the largest and longest-running festival of its kind and a leader in the curation and presentation of new film and media exploring the complexities of Jewish life around the world. French films are part of the line-up this year!